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New arts leader sees her work as a dream job
By MICHAEL MOLITORIS

 

Photo by Jerry Sowden - Joann Wheeler, Oil City's new arts champion, works in her office on the first floor of the National Transit Building. Wheeler's job will be to promote the city as a community for artists.

A working artist and a transplant to Oil City is trying to find others who want to make her story their own.

Joann Wheeler, a longtime artist and native of Pittsburgh, was hired last month to serve as Oil City's downtown arts revitalization champion. The position puts her in charge of recruiting artists and promoting the city's downtown as a live-and-work environment for artists. The venture is one piece in an economic growth plan that city council has elected to undertake.

"I'm thanking Oil City for getting behind an effort like this," Wheeler said at a Take Pride in Oil City meeting this week. "For me, it's a dream job."

Wheeler received early art training at home and in classes at the Carnegie Museum and at Carnegie-Mellon University's school of fine arts. Having lived and worked in Germany's Black Forest and in the Boston area, her three-dimensional collages and boxes have been exhibited and sold in juried group shows at galleries in Somerville, Mass., Cambridge, Mass., Blue Hill, Maine, and in Boston.

She's also done solo exhibits at the Cambridge Public Library and in Oil City's Transit Fine Arts Gallery, where she also was an artist of the month in 2004.

Wheeler moved from Boston to Oil City 10 years ago because she wanted to get her overhead down and find more time to devote to creating art. She had worked since 1997 as executive director of the Clarion/Venango Education Resource Alliance.

Before that, however, she had seen personal artist friends who also fled larger cities because they craved slower paces, lower costs and the small-town feeling outside urban boundaries. She has seen the Oil City arts revitalization model work in other areas.

With first-hand experience of doing exactly what Oil City is looking to promote on a larger scale, Wheeler said Oil City "can take this in so many directions. The only thing we can't do is stop."

Arts revitalization goals primarily look at using existing real estate stock and growing and diversifying the city's small business base. The initiative also aims to attract and retain a quality workforce and attract wealth to the area.

Wheeler said that business and artistic ventures - from visual to performing arts - complement one another. Ten-year-old estimates projected that each dollar spent on arts in a community brought $4 back in related and spin-off businesses.

"This is a low estimate. The figures now are higher," Wheeler said.

Coming from a visual arts background, Wheeler is heavily basing her work around visual arts, but she is relying on the help of a local artist advisory council to help her locate artists who practice in other mediums and tailor the city's assets to their needs, too.

From her experience, she knows that people who buy fine art come from corporate circles, from municipalities, architectural and design firms, museums, collectors and individuals arenas.

"These are all the kinds of people we would like to attract to Oil City," she said. "If we do this right, everybody benefits."

Relocating artists should be able to find affordable real estate, welcoming surroundings, a supporting community, access to markets like Pittsburgh, Cleveland, Buffalo and New York, and a home base in Oil City. The community, conversely, would see the reuse of vacant second-story housing and a revitalized business district.

"What I see here is potential," Wheeler said. "We need to pull together to make sure these (second-story) spaces are reused to the best of their ability."

Moving a critical mass of artists to the city's downtown would allow essential supporting businesses to grow.

"But what we need to do is attract these people," she said. "What we need first is for the community to come together and support the artists we have here already."

That's going to rely on the city, local real estate agents and financial institutions offering financial incentives to artists and longtime residents making the city "socially friendly" for new residents.

"Open your hearts and open your minds to whoever comes here," she said.

With Wheeler's part-time salary set at just $15,000 for a year, another $4,000 allotted for miscellaneous expenses will be plugged into marketing the city to out-of-the-area artists. To that end, she has created a link to an Oil City arts Web site through her personal site with links to area resources and a description of the local arts initiative. Wheeler's Web site is www.artsoilcity.com/html.

"Artists are going to need this information," she said. "Ideally, I would like to see us marketing nationally."

That will involve a large electronic marketing campaign, targeting artist gathering spots on the Internet, strategically placing advertisements and planting fertile seeds in the minds of other artists who will make other artists realize they need to live and work in Oil City.

"We need artists talking to other artists about how good this place is," Wheeler said. "They need to be happy and thriving and talking to other artists."

Artist transplants ideally would be a mix of established and up-and-coming artists.

"If we attract only established artists, in 10 years we're going to have a retirement community," Wheeler said. "Newer artists would stand to foster relationships, grow and help with bringing in business."

"I'm looking forward to this," she told the Take Pride contingent. "I think we're going to have a great time together."

She is looking for the support of artist-minded community members to serve on an artist advisory council, to help with artist support programs, events and competitions, marketing and creating financial incentives for artists.

She may be reached between 10 a.m. and 4 p.m. Tuesdays and Thursdays in her first-floor National Transit Building offices or by calling 676-5303.

 

 

 

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